THE LINCOLN LAWYER: In Cold Blood
I felt dirtier walking out of Brad Furman’s THE LINCOLN LAWYER than its idol THE LONG GOODBYE, and not just because all that hero worship makes us into peeping toms.
Episode 164 – SUCKER PUNCH / Elizabeth Taylor / TOPSY-TURVY
In this week’s show Gareth and I discuss in some detail the new ‘video games as movie’ SUCKER PUNCH, the work of Elizabeth Taylor and one of Mike Leigh’s few period pieces TOPSY-TURVY.
OF GODS AND MEN: Putting the static in ecstatic
Can we please talk about the difference between contemplative and just slow? OF GODS AND MEN is the most recent César winner and France’s submission to the Oscars, beating Assayas’ CARLOS, Renais’ WILD GRASS, and most conspicuously Denis’ WHITE MATERIAL.
HEARTBEATS: Don’t you want me, baby?
HEARTBEATS is like Godard directing the kind of mad love music video the ‘80s were rife with (“Don’t You Want Me,” “Every Breath You Take,” “There is a Light That Never Goes Out,” etc.) where the bouncy electronic pop doesn’t come close to obscuring the dark edge that underscores passionate love
Episode 162 – The Oscars / RANGO / THE ADJUSTMENT BUREAU
Here it is – Gareth and I discuss how we managed to endure this year’s Oscars, talk about the lovely RANGO, suggest you become a Social Media Intern for a new feature, cry at SONG SUNG BLUE and reveal a strange personal story with THE ADJUSTMENT BUREAU.
THE ADJUSTMENT BUREAU: Patriarchy Rules
When will people learn? Mystery is greater than resolution. Curiosity lured us from hulking mouth-breathers into torture rationalizers—but torture-rationalizers who went to the Moon! Answers just remind us that George Nolfi’s THE ADJUSTMENT BUREAU is a work of poorly planned screenwriting about half-forgotten ideas
JUSTIN BIEBER: NEVER SAY NEVER: Pinocchio
After a good three minutes of pulling my hair out trying not to have to write about UNKNOWN (about which Jett and Gareth have already covered the full spectrum of my faintly entertained response), THE MECHANIC (aka The Boor and the Bore), or—Gwyneth-willing—COUNTRY STRONG, I realized that the best reviewed 2011 wide release is a [...]
This Week in TFT: UNKNOWN, KABOOM and an Oscar Podcast
A brand new week here at The Film Talk folks – here’s what we’ve got coming up: Tony Youngblood on KABOOM, Brandon Nowalk on NEVER SAY NEVER and, though it pains me to even mention it, Gareth and I will be discussing this past Sunday’s Oscars.
THE EAGLE: Love, Honor, and Obey
You could blame the monumental waste of Kevin Macdonald’s THE EAGLE on CENTURION‘s release last year, which preemptively renders its successor both outclassed and unnecessary, if the bulk of its ineptitude didn’t reside in the script. Yes, Jamie Bell heroically tries to balance an ensemble led by a statue and filled out with Donald Sutherland’s paycheck [...]
COLD WEATHER: The Big Wake-Up
Ironically, and here I’m talking about the artistic technique and not a pretend embrace of, say, Chuck Norris, Aaron Katz’s COLD WEATHER validates mumblecore by rejecting it. The first act is your standard mumblecore setup: a low-ambition young white male moves in with his sister, gets a routine job, meets an ex, all while making [...]
ANOTHER YEAR: Seasonal Affective Disorder
While THE KING’S SPEECH loudly, laughably declared it has a voice this weekend, sweeping the guild awards and hoodwinking a lot of people who should know better into thinking it’s more than a shallow, concave, lumpy golddigger, ANOTHER YEAR quietly expanded, a genuinely humanist portrait of middle-aged British people discovering the therapeutic power of friendship, [...]
Episode 159 – Oscar Nominations / BLACK SWAN Reconsidered / THE KING’S SPEECH
Good Lord it’s the 2011 Oscar nominations folks! Listen in nail-biting suspense as Gareth and I discuss the possible winners, possible losers, who should have been nominated, who just doesn’t belong, all that plus thoughts on THE KING’S SPEECH and BLACK SWAN is reconsidered.
Human nature: SWEETGRASS and ALAMAR
Through the vast winter wasteland, two films arrived to make me grateful for this period of weirdly timed horror and forgettable “rom”-“coms.” (Three, actually, as I caught CERTIFIED COPY on British DVD and have a new best film of 2010, but enough about that until it opens in the US.) Thanks to Netflix Watch Instantly, [...]
ENTER THE VOID – See the Uncut Version Tonight at Midnight – Nuart Los Angeles
This is it folks. Your chance to see the most extraordinary new film I’ve seen in the four years of recording The Film Talk: ENTER THE VOID.
BLUE VALENTINE: Things Fall Apart
Aiming for Cassavetes gets you Cassavetes, which would be outstanding if we didn’t already have Cassavetes. Which isn’t to say that Derek Cianfrance’s BLUE VALENTINE is wholly derivative, but insofar as it’s an exploration of a crumbling relationship, it breaks no new ground and comes to no conclusions. This, thanks to its opening at a [...]
Episode 157 – NIGHT OF THE HUNTER / THIS WAY OF LIFE / Tom Burstyn Interviewed
A Tarkovsky Level Member request is our command as we review the over-rated yet beautiful THE NIGHT OF THE HUNTER and speak with THIS WAY OF LIFE director Tom Burstyn.
ECCENTRICITIES OF A BLONDE-HAIRED GIRL
It’s right there in the title. No, not the “BLONDE-HAIRED GIRL” part, that object of beauty framed in her window like an untouchable museum piece. The detractors don’t seem to notice anything beyond this crumbling skeleton of a Victorian romance, inspired as it is by realist writer Eca de Queiroz, but Manoel de Oliveira’s 2009 film [...]
SOMEWHERE: Lifestyles of the rich and famous
Still sucking up to the Italians, Sofia Coppola continues to explore the old bourgeois ennui picture—an increasingly pessimistic cycle from EUROPA ’51 to LA DOLCE VITA to LA NOTTE and beyond—in SOMEWHERE, another film about existential angst where the cause, contra the Italians, is not the soul-crushing effects of modernism but celebrity itself. The bourgeoisie [...]
This Week in TFT
This Week in The Film Talk blogger and operative Brandon Nowalk discusses SOMEWHERE, an old story he says that’s beautifully realized; scribbler and agent Tony Youngblood will be submitting his Year’s Best list for your approval, (he assures me BLACK SWAN will not rear it’s head anywhere in the post); to top it off on [...]
TRUE GRIT: City of Mann
Comparing the Coen Brothers’ latest western, the chase film TRUE GRIT, to its predecessor, the camp classic (double entendre!) that finally won John Wayne his Oscar, is a triflin’ quarrel. Never mind that the original TRUE GRIT is dated by its tomboys with Mia Farrow voice, comic mugging accompanied by jaunty woodwinds, and an overall [...]
DOGTOOTH: Adventures in home-schooling
The night after I got to see Yorgos Lanthimos’ bone-dry Greek family comedy DOGTOOTH at the Museum of Fine Arts Houston, that same room saw the Houston Film Critics Society name THE GIRL WITH THE DRAGON TATTOO the best foreign language film of the year. In the year Houston hosted CARLOS, WHITE MATERIAL, MOTHER, A [...]
BLACK SWAN: Hall of mirrors
Just once I’d like to see a film about an artist who achieves his masterpiece by seeking greater control. The popular fantasy is that artists are sensitive feelers who must completely lose themselves and let the spirit of Obi-Wan or whatever guide them to glory, not practicing communicators who ought to pinpoint precisely what they’re [...]
WAKING SLEEPING BEAUTY: A Walt Disney Studios picture
Don Hahn’s WAKING SLEEPING BEAUTY is almost as exciting as Al Gore’s AN INCONVENIENT TRUTH. Wake me when Guy Maddin gets here. Hahn’s documentary on the second golden age of Disney—a climb from the nadir of THE BLACK CAULDRON all the way up to Pride Rock, with a glance at infinity and beyond—is more insidery [...]
WHITE MATERIAL: Stay the course
Boy, there’s nothing like watching a Claire Denis film to make a guy feel thankful. Especially if that guy happens to (perhaps secretly) love COLD MOUNTAIN, as WHITE MATERIAL has at least as much in common with Denis’ cinematic cousin Olivier Assayas and regional relatives like HOTEL RWANDA as it does with the Minghella story [...]
