COLOMBIANA Can’t Stop
As CONAN THE BARBARIAN represents the nadir of chaos cinema with its unfocused camerawork evoking nothing but a lazy director, Olivier Megaton’s COLOMBIANA represents its potential, finding purpose in the rapid cutting and manic energy that defines the End of Cinema.
CAPTAIN AMERICA: THE FIRST AVENGER: That’s Entertainment
The only thing more tiresome than Marvel’s latest Shakespeare tragedy is the postmodern elevation of trash/pop/camp—a useful experiment, like shaving your head— so I won’t say Joe Johnston’s CAPTAIN AMERICA: WORLD-FRIENDLY SUBTITLE is a good film.
