‘The Girlfriend Experience’ and ‘Anvil! The Story of Anvil’ both start at the Belcourt tomorrow – they’re not on a double bill, but they should be:
‘The Girlfriend Experience’ Showtimes
‘Anvil! The Story of Anvil’ Showtimes
Let’s start off with ‘The Girlfriend Experience’. As Gareth and I have realised in the last few months documentaries are where it’s at. Hollywood Cinema has become so rote – so sclerotic in it’s plotting, pacing, casting and visualisation that a trip to the multiplex all but guarantees two plus hours of tedium tedium tedium.
Documentaries are far more exciting, engaging and entertaining – whether it’s ‘Voices from El-Sayed’, which examines the daily life of a deaf Bedouin community in the Negev desert, or the brittle and sweaty anxiety producing drama of a Barbershop Quartet competition in ‘American Harmony’ – documentaries are IT.
So what’s a ‘staged cinema’ director to do?
Shoot your fiction film like it’s a doc.
And so we have ‘The Girlfriend Experience’. A quick, cheap, flat story of the U.S. financial meltdown and 2008 Presidential Election featuring non-actors playing shadows of themselves TGE is a good film. A good film. Meaning it’s about something – the filmmakers experiment – they riff – the improvise – they stumble towards somewhere – and maybe, like a good documentary, they started out without knowing where the film was going to take them.
So we have a real-life star of pornographic movies, Sasha Grey, playing an escort. We have a real-life film critic, Glenn Kenny, playing a reviewer of erotic services. And so on. Reporters play reporters. Steven Soderbergh, a fiction film maker, plays a documentarian. And so on.
It’s real, it’s sad, it’ll make you think and you should see it.
It’ll also make you want to flee the city – at least New York. The film – a 78 minute litany of all that’s wrong with capitalism – the corrosiveness of a world in which everything is for sale, (sex AND art, affection AND experience), is deeply dispiriting. If I had to see it again I imagine it would force me to sell the house here in Nashville and move to the country – at least to a place far, far away – mentally at the very least – to place where humans could love honestly and without shame.
So all is for sale in ‘The Girlfriend Experience’ – in ‘Anvil! The Story of Anvil’ nobody’s buying.
It’s ‘real documentary’ – nobody is a playing a version of themselves – they’re past that. They passed it a long time ago.
‘Anvil’ tells the tale of a ‘amost-made it/never was’ heavy metal band that keeps on trying for that big break – keeps on trying for decades. The band members have passion, love, commitment – everything that’s missing from the people seen in ‘Girlfriend’. Whereas TGE will make you weep for us humans – ‘Anvil’ will make you cheer. Even if you don’t make it – the trying is the thing – the love is the thing. The love is the thing.
See ‘Anvil’ if you can – and get this – the band itself, in person, in the flesh – will be playing this Saturday at the Belcourt. Go see the film, and go see them. And love someone.
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(Photo above of ‘Anvil’ from the Studio Daily Blog)
Was able to screen TGE from a copy from Jeff Love. I'm not sure its quite as bad as Jett's post may imply. 'Transactionality' of everyday life and financial mobility and constraint are certainly at the center of the film. Having said that, I wouldn't say everything is for sale. To a large degree, beliefs and principles guide the two leads throughout the movie.
I'm told Soderberg cited Antonioni as an inspiration for the film, and to a point I can see that, at least within the message. TGE is probably a decent first draft of how the financial crisis twisted the priorities and lives of people through 2008. Cue Modernism, Ennui, etc. The film, however, lacks the visual depth of Antonioni. It seems like a decent first draft of a more complete film, as if SS made this one to pitch a full film to the studios. I think I'd like to see that movie much more.
Bad? I thought the film was great. I'd better work on making my reviews clearer… :)
The lack of clarity is on my behalf. I didnt mean bad in terms of quality, but bad in terms of self-exile enduing power.
The lack of clarity is on my behalf. I didnt mean bad in terms of quality, but bad in terms of self-exile enduing power.
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