Comments on: The Film Talk – Part 53 – The Films of Stanley Kubrick

By: My year working with Stanley Kubrick on 2001 | The Film Talk Movie Review Podcast

Sat, 07 Apr 2012 18:34:35 +0000

[...] the bone throwing man-ape of 2001, Dan Richter, interviewed on what it was like working with Stanley Kubrick, the meaning of 2001 and the counter-culture experiences of the ’60s.Running time: 22 minutes [...]

By: Stanley Kubrick in ‘Inglourious Basterds’ | The Film Talk - Movie Review Podcast

Fri, 29 Oct 2010 18:46:13 +0000

[...] On the left, Stanley Kubrick. [...]

By: The Film Talk » Tomorrow’s Podcast – A Stanley Kubrick Retrospective

Wed, 30 Sep 2009 04:09:17 +0000

[...] TFT 53 – The Films of Stanley Kubrick Podcast [...]

By: The Film Talk » Less is More: Or How to Make Your Films More Interesting with the Help of the Easy Surreal

Tue, 15 Sep 2009 13:55:45 +0000

[...] course Stanley Kubrick is another one who knew there was no need to tell us everything – he was famous for [...]

By: The Film Talk » Stanley Kubrick in ‘Inglourious Basterds’

The Film Talk » Stanley Kubrick in ‘Inglourious Basterds’ — Fri, 28 Aug 2009 21:47:18 +0000

[...] On the left, Stanley Kubrick. [...]

By: The Film Talk » The Film Tak – Part 80 – The Man-Ape of 2001 – An Interview with Dan Richter

Fri, 07 Aug 2009 00:48:00 +0000

[...] The bone throwing man-ape of 2001, Dan Richter, is interviewed on what it was like working with Stanley Kubrick, the meaning of 2001 and the counter-culture experiences of the [...]

By: The Film Talk » ‘Voices from El-Sayed’ - Documentary as Drama and the Marginalisation of ‘Staged Cinema’

Sat, 04 Apr 2009 23:49:24 +0000

[...] the delight that comes from processing thematic resonances, (as seen in decades of staged cinema: Kubrick was great as this – see ‘Eyes Wide Shut’ for a superb example of dialogue that is both [...]

By: Tom

Tom — Fri, 20 Mar 2009 03:37:13 +0000

Was interrupted about three minutes from the end of the program and almost didn't return to it. Glad I did though because I thought that Gareth's comment about many of these films being ones that you admire rather than warm to rang very true for me. There is a significant difference films you admire and films you love (what Gareth once described as 'comfort films').

Haven't seen The Shining for a long time and as a young adult it never really disturbed me, I just admired the atmospherics. After your comments I'm now wondering that if I return to it now it'll completely freak me out!

By: Tom

Tom — Thu, 19 Mar 2009 20:37:13 +0000

By: Jett Loe

Jett Loe — Tue, 17 Mar 2009 21:10:26 +0000

I agree that Eyes Wide Shut would have been assumed to be exhibited in a wide-screen format. But on the DVD, (at least the I viewed), there was a message saying it was full frame 'as Kubrick intended'; thus the 'camera shadows'!

ah well, I still like the idea that it was a homage to Lee Friedlander! ;)